The New American Story Project Cares, Do You?
Micheline Aharonian Marcom on telling the truth about young asylum seekers

“I keep thinking, and believing, that if we continue to hear each other’s stories, and to write stories for the world, that we might see each other better. That it is harder to demonize someone if you have walked in their shoes. That stories—small, beautiful, alchemical non-physical strings of words and breath—can have an impact. A small thing, but essential it seems to me.”
Ten years ago, my friend and colleague Micheline Aharonian Marcom wrote the following post about The New American Story Project, a nonprofit she’d co-founded to document the stories of children who were then still coming to the United States in search of the safety, freedom, and welcome that America had advertised since its founding. That advertisement was already going dark under the menace of Trump & Co. Today America’s welcome mat has been pulverized by the regime’s deportation orders, concentration camps, and armies of violent thugs who target new and old arrivals alike. The young people who shared their stories with Micheline are now severely endangered by the government that calls itself “ours.”
Every word that Micheline wrote a decade ago is still true. Please read and consider all that we’ve lost in these few short years— and all that every one of us must fight to recover and rebuild before everything we love about America is gone.
Thank you for caring what becomes of our vast and fragile world.
Aimee
Welcome to Writer In The World, the Wednesday section of Aimee Liu’s MFA Lore. This curated collection of reclaimed essays on the writing life and new videos of Writers in Conversation is produced by MFA faculty and alumni.
Aimee’s MFA Core essays on the craft and business of creative writing will drop each Saturday. And her free Metaphortography Writing Prompts post every other Monday.
As an MFA Lore subscriber you can join our community and elect to receive some or all of these sections each week.
Celebrate MFA Lore’s 3rd Anniversary by subscribing now for 30% off!
Seeking Asylum: 100,000 Stories*
by Micheline Aharonian Marcom | Jan 18, 2016
You could say I lost my belief in our politicians. They all seemed like game show hosts to me. — “If I Ever Lose My Faith in You,” Sting
I. Empathy and the Iliad
In 2012 Scientific American published an article stating that empathy had declined 40 percent among college students in the US since the 80s. The University of Michigan Institute for Social Research concluded that college students of the current generation were less likely to agree with statements such as “I sometimes try to understand my friends better by imagining how things look from their perspective,” and “I often have tender, concerned feelings for people less fortunate than me.” The researchers didn’t know what to attribute this decline in empathy to, although according to yet another study sited in the same article, narcissism is on the rise. The article concluded that “the American personality is shifting in an ominous direction.”
When we listen to stories, and when we read, the consciousness of the listener/reader and the consciousness of the story meet in the wild place of the human imagination. In that place, the I is not only the I, she is Achilles as he drags Hector’s body around the castle walls in revenge for his best friend’s death; she is King Priam when he afterwards goes to retrieve his son’s body from his enemy and kisses “the terrible, man-slaying hands that had slain his many sons.” She is the victor’s and the vanquished’s rage and sorrows. She is more than herself and more than her own tribe or nation even.
II. Donald Trump, 1 Fact, 1 Newspaper Comment, 1 US Law
“A nation without borders is not a nation. The border is a disaster…people are pouring in. There must be a wall across the southern border. America will only be great as long as America remains a nation of laws.”— Donald Trump
“Illegal immigration flows have fallen to their lowest level in at least two decades.” — Pew Research center
“I DON’T CARE WHERE THEY CAME FROM OR WHY THEY CAME HERE. IF THEY ARE HERE ILLEGALLY, THEY NEED TO GO ASAP!!!” —Anonymous Comment, Washington Post
“Any alien who is physically present in the United States or who arrives in the United States irrespective of such alien’s status, may apply for asylum in accordance.” — U.S. Code § 1158 – Asylum
III. 100,00 Stories
In the last six months I have been working on a digital oral history project documenting the stories of children who have fled violence in Honduras, Guatemala and El Salvador and sought asylum in the US. I’ve been listening to the kids and also interviewing immigration attorneys, policy makers, teachers, gang experts and historians to try and understand the situation better both here and in Central America.
The stories are ominous. As Elizabeth Kennedy, a regional expert told me when I spoke to her:
This is a refugee crisis; it is not just a humanitarian crisis. Children and families are leaving these countries because they don’t have state protection. And gangs and cartels have become far more powerful than what government exists. El Salvador is the second-deadliest country in the world, it is second only to Syria. Honduras is third-deadliest in the world, third only to Syria and El Salvador. That means that people in El Salvador and Honduras are more likely to be murdered than people in Afghanistan, in Iraq, in the Democratic Republic of Congo, in Sudan: all these places that we recognize as war zones. Kids in El Salvador tell me things like, “I go to bed every night not knowing if I’ll wake up in the morning.”
More than 100,000 unaccompanied minors surrendered themselves to Border Patrol in the last year and a half seeking protection.
This is an excerpt from an interview with a 17-year-old Salvadoran girl I spoke with last summer in Oakland, California:
My dad came here several years ago because the gangs threatened him repeatedly and they tried to kill him. He was afraid. Every neighborhood is controlled by one gang or another. We moved frequently after that, but they always found us. It was the same guys who had tried to kill my dad.
One day going to school after I got off the bus, a man in a car approached me. He told me to get in the car with him. I got really scared. I kept walking. He kept following me.
“Get in the car,” he said, “I know everything about you and your family and your father.”
The police told us they would give us protection, but they never did. Then gang members started showing up in front of our house and riding by on bicycles to see who was there. They “controlled” the house. Sooner or later they were going to kidnap me or kill me. I couldn’t sleep. I never went out or talked to anybody because of the constant fear. I was so afraid they would force me to be their “girlfriend.” Many young girls can’t do anything about it. And what happens is they are killed or raped or their bodies are left on the road. People don’t have any recourse. The whole country is the same everywhere. There’s no security or help, if you look for help there’s none.
As I continue work on this project, I keep thinking, and believing, that if we continue to hear each other’s stories, and to write stories for the world, that we might see each other better. That it is harder to demonize someone if you have walked in their shoes. That stories—small, beautiful, alchemical non-physical strings of words and breath—can have an impact. A small thing, but essential it seems to me.
Micheline Aharonian Marcom is the author of eight books, including a trilogy of books about the Armenian genocide and its aftermath in the 20th century. She has received fellowships and awards from the Lannan Foundation, the Whiting Foundation, and the US Artists’ Foundation. In 2022, she was a finalist for the Neustadt International Prize for Literature.
Her first novel, Three Apples Fell From Heaven, was a New York Times Notable Book and Runner-Up for the PEN/Hemingway Award for First Fiction. Her second novel, The Daydreaming Boy, won the PEN/USA Award for Fiction. In 2008, Marcom taught in Beirut, Lebanon on a Fulbright Fellowship. Marcom now directs the Creative Writing Program at the University of Virginia.
Loreates’ Corner
Each week I try to introduce you to a few of the wonderful stacks by writers in our community. This week I want to share two stacks with a similar mission to Micheline’s. Please read and support all these important projects.
AMY FRIEDMAN spearheads All-American Story :
Tony Hernandez writes The Immigrant Archive:






I’ve read dozens of similar stories. I have a friend who came from El Salvador as an eleven yr old because of the gang control and her mother’s fear that she would be kidnapped. Desperation and fear drive people to immigrate to another country. It was true in the 1800’s as it is now.
No. Not in Canada.